000			03548cam a22003974i 4500
001			200467384
003			TR-AnTOB
005			20260309140257.0
007			cr nn 008mam|a
008			260309t2022||||xxu fs| |0|| 0|eng||
020			_a9781119107934 _qelectronic
024	7		_a10.1002/9781119107934 _2doi
040			_aTR-AnTOB _beng _erda _cTR-AnTOB
041	0		_aeng
050	1	4	_aPN1995.9.E96
090			_aPN1995.9.E96 _bC6 2022EBK
245	0	2	_aA Companion to Experimental Cinema / _h[electronic resource] _cedited by Federico Windhausen.
264		1	_aHoboken, NJ : _bWiley, _c2022.
300			_a1 online pages (xii, 468 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _2rdaft
347			_bPDF
520			_aAn exploration of what experimental cinema was, is, and might become A Companion to Experimental Cinema is a collection of original essays organized around both theoretical and historical issues of concern to film scholars, programmers, filmmakers, and viewers. Newly-commissioned essays written by specialists in the field, along with dialogues conducted with a diverse range of practitioners, focus on core subjects to present an international array of overlapping and contrasting perspectives. This unique text not only provides detailed accounts of particular films and filmmakers, but also discusses new approaches of understanding, characterizing, and shaping experimental cinema. The Companion offers readers an accessible point of entry to the material while seeking to contribute to scholarly debates. Essays explore a wide range of topics within the realm of experimental film, including the shift from traditional biography to broader contexts, the increased attention afforded to local and transnational circuits of exchange, and the deepening of theoretical considerations regarding cultural identity and cinematic aesthetics. Key themes and concepts are inter-woven throughout the text, offering fresh perspectives on experimental cinema’s dialogues with other modes and practices of film and video, its interactions with the non-cinematic arts, its responses to changing technological landscapes, and more. An essential addition to the field, the Companion: Balances introductory summaries and scholarly dialogue with existing literature Explores how the study of experimental cinema can benefit from scholarship in other disciplines Includes numerous analyses of films that are readily available to view via digital media Discusses both canonical and obscure or neglected works Examines the effects of the growing diversification of experimental film scholarship A Companion to Experimental Cinema is a valuable resource for scholars of film studies and art history, curators and programmers, critics and bloggers, filmmakers and artists, and anyone interested in exploring experimental or avant-garde cinema.
650		4	_aFilm Studies
650		4	_aFilm Theory
655		7	_aElectronic books _2local _92032
700	1		_aWindhausen, Federico _4editor
776	0	8	_iPrinted edition: _z9781119107903
856	4	0	_uhttps://doi.org/10.1002/9781119107934 _aWiley Online Library
856	4	0	_uhttps://onlinelibrary.wiley.com/action/showBook?doi=10.1002%2F9781119107934 _aWiley Online Library
856	4	2	_3Cover Image _uhttps://onlinelibrary.wiley.com/cms/asset/11f6cb51-75d5-4010-84a4-f0a261f34cd4/9781119107934.cover.gif _aWiley Online Library
942			_2lcc _cEBK
999			_c200467384 _d85596