| 000 | 03321cam a2200361Ii 4500 | ||
|---|---|---|---|
| 999 |
_c200427227 _d45151 |
||
| 001 | 11812422 | ||
| 003 | TR-AnTOB | ||
| 005 | 20190408221843.0 | ||
| 008 | 120112s2012 enka b 001 0 eng d | ||
| 020 | _a9781856697941 | ||
| 040 |
_aUKMGB _beng _cUKMGB _dTR-AnTOB _erda |
||
| 041 | _aeng | ||
| 050 | 4 |
_aNK1530 _b.H4456 2012 |
|
| 090 |
_aNK1530 _b.H4456 2012 |
||
| 100 | 1 | _aHeller, Steven. | |
| 245 | 1 | 0 |
_a100 ideas that changed graphic design / _cSteven Heller and Veronique Vienne. |
| 246 | 3 | _aOne hundred ideas that changed graphic design | |
| 246 | 3 | _aHundred ideas that changed graphic design | |
| 264 |
_aLondon : _bLaurence King Publishing Ltd., _c2012. |
||
| 300 |
_a216 pages : _billustrations (chiefly color) ; _c27 cm |
||
| 336 |
_2rdacontent _atext |
||
| 337 |
_2rdamedia _aunmediated |
||
| 338 |
_2rdacarrier _avolume |
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| 504 | _aIncludes bibliographical references (pages 210-211) and index. | ||
| 505 | 0 | 0 |
_tThe book -- _tBody type -- _tRub-on designs -- _tRays -- _tPastiche -- _tPointing fingers -- _tVanitas -- _tClenched fists -- _tMonumental images -- _tFemale archetypes -- _tColor blocks -- _tOrnamentation -- _tDecorative logotypes -- _tNaive mascots -- _tEntrepreneurship -- _tMetaphoric lettering -- _tSwashes on caps -- _tTexts as images -- _tVisual puns -- _tThe square format -- _tPrimitive figuration -- _tPropaganda -- _tThe object poster -- _tPaper cutouts -- _tManifestos -- _tGraphic design magazines -- _tBotanical geometry -- _tCalligrams -- _tLoud typography -- _tAsymmetric typography -- _tRed with black -- _tSupergraphics -- _tSupreme geometry -- _tFunny faces -- _tExpression of speed -- _tCorporate identity -- _tDust jackets -- _tFound typography -- _tRansom notes -- _tDesign handbooks -- _tAvant-garde zines -- _tCollages -- _tRiddles and rebuses -- _tPhotomontage -- _tPictograms -- _tFloating heads -- _tAbstraction -- _tTriangulation -- _tExtreme close-ups -- _tThe provocative gesture -- _tMotion graphics -- _tNight spectaculars -- _tShadow play -- _tGood design -- _tForced obsolescence -- _tVibrating color -- _tStrips and panels -- _tFrame by frame -- _tPerfect rectangles -- _tAbstract graphs -- _tDynamic diagonals -- _tStencil type -- _tComic lettering -- _tParody -- _tSustainable packaging -- _tPublic service campaigns -- _tBranding campaigns -- _tLayering and overprinting -- _tDesign thinking -- _tThe grid -- _tBrand narratives -- _tWhite space -- _tLess is more -- _tMonoalphabets -- _tFilm title sequences -- _tBig book look -- _tNostalgia -- _tIllegibility -- _tScan lines -- _tTeen magazines -- _tCulture jamming -- _tHigh contrast -- _tPsychedelia -- _tSplit fountain -- _tUnderground comics -- _tRecord album covers -- _tStreet slogans -- _tSexual taboo busting -- _tSelf-promotional publishing -- _tTags -- _tUniversal Pricing Code -- _tVernacular -- _tFrench theory -- _tDo it yourself -- _tThe fine print -- _tMagazine coverlines -- _tGuerrilla advertising -- _tPixelation -- _tAmbigrams -- _tDesigners' websites. |
| 520 | _aThe aim of this book is to determine, define, discuss, and illustrate the big ideas that created the critical mass that produced the art and craft of contemporary graphic design. | ||
| 650 | 0 |
_aGraphic arts _xHistory. |
|
| 650 | 0 |
_aGraphic arts _xTechnological innovations. |
|
| 650 | 0 |
_aDesign _xThemes, motives. |
|
| 700 |
_aVienne, Veronique _9117955 |
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| 942 |
_2lcc _cBK |
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