000 03321cam a2200361Ii 4500
999 _c200427227
_d45151
001 11812422
003 TR-AnTOB
005 20190408221843.0
008 120112s2012 enka b 001 0 eng d
020 _a9781856697941
040 _aUKMGB
_beng
_cUKMGB
_dTR-AnTOB
_erda
041 _aeng
050 4 _aNK1530
_b.H4456 2012
090 _aNK1530
_b.H4456 2012
100 1 _aHeller, Steven.
245 1 0 _a100 ideas that changed graphic design /
_cSteven Heller and Veronique Vienne.
246 3 _aOne hundred ideas that changed graphic design
246 3 _aHundred ideas that changed graphic design
264 _aLondon :
_bLaurence King Publishing Ltd.,
_c2012.
300 _a216 pages :
_billustrations (chiefly color) ;
_c27 cm
336 _2rdacontent
_atext
337 _2rdamedia
_aunmediated
338 _2rdacarrier
_avolume
504 _aIncludes bibliographical references (pages 210-211) and index.
505 0 0 _tThe book --
_tBody type --
_tRub-on designs --
_tRays --
_tPastiche --
_tPointing fingers --
_tVanitas --
_tClenched fists --
_tMonumental images --
_tFemale archetypes --
_tColor blocks --
_tOrnamentation --
_tDecorative logotypes --
_tNaive mascots --
_tEntrepreneurship --
_tMetaphoric lettering --
_tSwashes on caps --
_tTexts as images --
_tVisual puns --
_tThe square format --
_tPrimitive figuration --
_tPropaganda --
_tThe object poster --
_tPaper cutouts --
_tManifestos --
_tGraphic design magazines --
_tBotanical geometry --
_tCalligrams --
_tLoud typography --
_tAsymmetric typography --
_tRed with black --
_tSupergraphics --
_tSupreme geometry --
_tFunny faces --
_tExpression of speed --
_tCorporate identity --
_tDust jackets --
_tFound typography --
_tRansom notes --
_tDesign handbooks --
_tAvant-garde zines --
_tCollages --
_tRiddles and rebuses --
_tPhotomontage --
_tPictograms --
_tFloating heads --
_tAbstraction --
_tTriangulation --
_tExtreme close-ups --
_tThe provocative gesture --
_tMotion graphics --
_tNight spectaculars --
_tShadow play --
_tGood design --
_tForced obsolescence --
_tVibrating color --
_tStrips and panels --
_tFrame by frame --
_tPerfect rectangles --
_tAbstract graphs --
_tDynamic diagonals --
_tStencil type --
_tComic lettering --
_tParody --
_tSustainable packaging --
_tPublic service campaigns --
_tBranding campaigns --
_tLayering and overprinting --
_tDesign thinking --
_tThe grid --
_tBrand narratives --
_tWhite space --
_tLess is more --
_tMonoalphabets --
_tFilm title sequences --
_tBig book look --
_tNostalgia --
_tIllegibility --
_tScan lines --
_tTeen magazines --
_tCulture jamming --
_tHigh contrast --
_tPsychedelia --
_tSplit fountain --
_tUnderground comics --
_tRecord album covers --
_tStreet slogans --
_tSexual taboo busting --
_tSelf-promotional publishing --
_tTags --
_tUniversal Pricing Code --
_tVernacular --
_tFrench theory --
_tDo it yourself --
_tThe fine print --
_tMagazine coverlines --
_tGuerrilla advertising --
_tPixelation --
_tAmbigrams --
_tDesigners' websites.
520 _aThe aim of this book is to determine, define, discuss, and illustrate the big ideas that created the critical mass that produced the art and craft of contemporary graphic design.
650 0 _aGraphic arts
_xHistory.
650 0 _aGraphic arts
_xTechnological innovations.
650 0 _aDesign
_xThemes, motives.
700 _aVienne, Veronique
_9117955
942 _2lcc
_cBK